UT – 396 Hz – Liberating Guilt and Fear MP3
RE – 417 Hz – Undoing Situations and Facilitating Change MP3
MI – 528 Hz – Transformation and Miracles MP3
FA – 639 Hz – Connecting/Relationships MP3
SOL – 741 Hz – Awakening Intuition MP3
LA – 852 Hz – Returning to Spiritual Order MP3
"Solfeggio frequencies were sound frequencies used in Gregorian chants one of which was the great hymn of St. John the Baptist. The special tones of the Solfeggio frequency were used to unite man with his maker. They did this by undoing all the conditions and conditioning that cause separation from source, be it physical, mental or spiritual.
The Solfeggio frequencies were so effective that they undermined the power of the Vatican so they were conveniently “lost” and went into oblivion for a very long time.
It was due to the inspired Dr Joseph Puleo that the Solfeggio frequencies were rediscovered. This is explained in the book “Healing codes for the Biological Apocalypse” by Dr Leonard Horowitz.
Dr Joseph Puleo is a naturopathic physician and one of America's leading herbalists, who began his research of the Solfeggio frequencies in the mid-1970's. In his examination of the Bible he found in Genesis: Chapter 7, Verses 12-83, that there were a pattern of six repeating codes around a series of sacred numbers, 3, 6 and 9. When he deciphered these using the ancient Pythagorean method of reducing the verse numbers to their single digit integers, the codes revealed a series of six electromagnetic sound frequencies that correspond to the six missing tones of the ancient Solfeggio scale.
When Dr. Joseph Puleo was researching the tones, he was directed to a Monsignor at a university in Spokane WA, who was head of the mediaeval department. Following a 20 minute conversation, the clergyman asked what he could assist Dr. Puleo with:
"Can you decipher Mediaeval Latin?’
‘And you know the musical scale and everything?’
‘Well then, could you tell me what ‘UT - queant laxis’ means?’
After a brief pause, the Monsignor quipped, ‘It’s none of your business’
Then he hung up."
The Solfeggio frequencies contain the six pure tonal notes that were once used to make up the ancient musical scale, until, it has been presumed, they were altered by the Catholic Church and Pope Gregory I, (better known as "Gregory the Great"), who served from 590 to 604 AD. The Church claims that they have "lost" 152 of these amazing ancient Gregorian chants, but more than likely, they have been purposely locked away in the bowels of the Vatican archives. One of those sacred chants, however, known as, "The Hymn to St. John the Baptist," has re-emerged. It has become known as the most inspirational hymn ever written and features all six Solfeggio notes."
"Our modern day musical scale is slightly out of sync from the original Solfeggio frequencies and is, consequently, more dissonant as it is based upon what is termed the "Twelve-Tone Equal Temperament." In ancient times, the musical scale was called "Just Intonation." Our modern music also falls within the A 440 Hz frequency, which was changed from A 417 Hz, around 1914.
A 7th note was added to the modern scale in the form of a "SI," or a "TI," as in the "DO, RE, MI, FA, SO, LA, TI" vocal scale, while the original Solfeggio scale was composed of only six notes: "UT, RE, MI, FA, SO, LA."
"... an article was given to me that reported how biochemists are using the frequency 528Hz to repair human DNA. The article stated that it was a "C." When I read that I thought, "All I would need to do is go to a piano or other instrument and play a "C" and then, in the DNA workshops we would be able to repair DNA."
Well, it wasn’t that simple, because I discovered that the regular "C" that we all know of in this culture (which is from the diatonic scale of do, re, mi, fa, so, la, ti, do) was not the 528 Hz frequency "C", as described in the article. Instead, I discovered that a regular "C" vibrates to a frequency of only 512 Hz, and that the "C" of 528 Hz used in DNA repair had been a part of an ancient scale called the Solfeggio Scale. Moreover, the difference in the scales existed because of different tuning methods that were utilized in ancient times, vs. those in general use today.
Consequently, since all music in our contemporary world (from commercials, to modern hymns and symphonies) has been composed utilizing the 12-Tone Equal Temperament Scale, they all have vibrational limits. As a result, vibrational frequency of the tones of modern music can create situations such as "boxed-in thinking," stuffed and suppressed emotions; and fear-based " lack" consciousness—all of which then tend to manifest into physical symptoms of "dis-ease."